Pilar Pobil
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So, I bought clay and I started working on this kitchen table on my own. I never did pots. That is how I started. And then I decided to start painting. . . . I decided that I was going to do it on my own and make my own mistakes and everything. That is how I did it. That’s why I am self taught. But, I got a lot of books. All my life I have seen art, I have gone to art museums, and everything, so I think I had a lot of good knowledge of art. I think that technique is something you can learn with books. What you can not learn is the inspiration, an idea of what you want to do. It is you or it isn’t.

Shawn: Your work is certainly full of inspiration and ideas. That is one of the things I wanted to ask you about. What do you prefer to draw from for your source of inspiration? There are many themes from Mallorca.
Pilar: Now that I was in Italy last summer, I have done a lot of things from Italy, which reminds me very much of Mallorca. And then I have done a lot things from Mexico because I have a house in Mexico and I go there frequently. I like to do people. When I see a face that inspires me that is what I want to do. And what I like is expression. I don’t like poses that are very formal and very steady. I like expression and I like people doing what their character tells me that they are supposed to do. . . . I don’t have models so when I do something like this group that I have just shown you. (The painting Pilar is referring to is her most recent work. A large canvas that portrays in the foreground, almost as large as life, five sharp and exotic looking young adults, sitting on a blanket. They are in colorful attire and look like a group of friends off for holiday in Spain. They are all looking in different directions and the background is completed with a distant row of pink sandstone cliffs from Southern Utah, and a vivid blue sky.)

Often I have a mirror and I look at the ways I put a hand, I draw my own hands. Or sitting in front of another mirror, I look at myself when I am sitting in certain positions. Or sometimes I will see in the newspaper some pose that strikes me like something I would like to do and I use that. I never paint straight from a photograph. If I use a photograph it will be some photograph that is not very good, that is blurry or something. I don’t like to use photographs that are really wonderful, because I will be doing what the photographer has already done. So, in general, I like things that are not very good, but that inspire me somehow, then I can do what I want.

Shawn: Tell me about your use of color. Color is paramount in your work. It’s pervasive. It’s important. It’s strong.
Pilar: I think with color you can express very much. You can express all kind of different moods. But, I also think that color is kind of, to me, a progression. For instance, sometimes I will start something and I don’t know which colors I am going to use at that moment. I think about what I am going to do and then I think of the first color that I think I want to use there. I start with a color that really expresses something for that subject to me. And then, immediately that color brings me another. And it is one color bringing the other.

I like surprising things. . . . Some people ask me “How come you have used these two colors that are absolutely wrong to use together? But they look good.” And so I said, “Who said they were wrong to use together? Why do you have to have a rule?” I think that the reason that I have not studied with anybody, and I am a self taught artist, that tells me that I don’t have to follow any rules, but what I think and what I feel. I think that is what makes my colors perhaps a little different than other people. I don’t know, because I don’t think much about what other people will do.

Also, I see a lot of color. For instance, I think even in the last few weeks I have seen brighter colors than I have ever seen. I don’t know why it is. Is this spring more colorful than others?

With this final thought, Pilar sums up the attitude that typifies the brilliant, colorful way she views and interprets the world. Every spring Pilar has an open house and invites several other artists to display their work. This is a "must attend" event for any avid art collector or simply for the individual who enjoys musing upon the work of talented artists in a beautiful setting.

This year the “Art in Pilar’s Garden” will feature seven artists and be held from 5:00pm to 9:00pm on June 7, 8, and 9th, 403 East 8th Avenue. While attending this delightful event several years ago, I was very inspired and I made many notes. These notes became the basis for a very descriptive poem, respectfully colorful in its own right, of Pilar, her creative work, her parties, her home and life. Click here to read the poem, entitled The Spanish Woman. I will be attending her art in the garden presentation again this spring and look forward to the opportunity of meeting some our 15-Bytes readers and artists there.

Announcements

Be sure to regularly check AoU's announcements page, where the newest developments and opportunities in Utah's visual arts world are posted. Here's an example:

SLC STUDIO SPACE AVAILABLE
Artist studio spaces are currently being developed in downtown Salt Lake City.  Located on 1st South just above Utah Artist Hands gallery, the studios measure in size from 100 to 300 square feet.  Each studio has tall ceilings and natural light (either windows or skylights).  For more information contact Jeff Hein at 801-364-2570.