Here’s another photograph from the Utah Arts Council archives. Nine more finalists for an Arts Council Fellowship. Can you name a majority? Those look like Allen Bishop paintings in the background.
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Another Language Upgrade: The Art of Jimmy & Elizabeth Miklavcic
A video profile of Jimmy and Elizabeth Miklavcic. It's a love story. It's also a story about creative passion, technological exploration and what to do with all those ones and zeroes.
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William James’ Studio Space
A look at the pottery studio at the Peterson Art Center, where William James spins his fantastical lamps and jars inspired by the mysteries of the Ocean.
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Cris Baczek’s Development
A review of three bodies of work by Salt Lake artist Cris Baczek, including motion-activated cyanotypes, large-scale proof sheets and found images from the archives of the UMFA.
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Alpine Art’s 24 x 24
A look at Alpine Art's upcoming 24 x 24 exhibit, a group exhibition of photographs documenting the first twenty-four hours of 2012.
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New Frontier 12
A review of Sundance's new media exhibition New Frontier 12 at the Utah Museum of Contemporary Art.
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J. Leo Hafen
A group of vegans, among them artists, teachers and musicians, heads to the hills for communal living where they develop a unique practice of partner sharing. Northern California in the 1960s? No, Juab County, Utah in 1918.
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Hidden Voices: Women Printmaking
Woodbury Art Museum presents an exhibition of women printmkakers from their community outreach program, Hidden Voices.
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Creative Chit Chat: PechaKucha SLC
Ann Poore takes a look at PechaKucha, Salt Lake's nights of creative chit cat where presenters get 20 slides, 20 seconds and a mic.
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Fahimeh Amiri & Loné Vilnius
Ehren Clark reviews the work of Fahimeh Amiri, whose hybrid style of Cubism and Persian miniature is used to critique the situation of women in present-day Iran, and Loné Vilnius, an artist who brings fine craftsmanship to her assembled boxes that range from the witty to the polemical. Read the review in the February 2012...
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A Winter Scene
Snow scenes have a natural appeal, to artists and patrons alike. But as John Hughes explains in this month's Hints 'n' Tips article, when working with snow, some artists see too much white.
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